2. "The Last Dance"

A poster for "The Last Dance." [Photo courtesy of Emperor Motion Pictures]

Directed by Anselm Chan, "The Last Dance" marks the first on-screen collaboration between comedy icons Dayo Wong and Michael Hui since 1992. The drama is set in Hong Kong's funeral industry and follows wedding planner turned funeral planner Dominic (played by Wong) as he partners with the Taoist priest Master Man (Hui). Their partnership delves deeper than business clashes; evolving into a transformative journey that raises existential questions through rituals meant to liberate souls. The film mirrors the complexities of death, family and unspoken love in Hong Kong's multicultural society, challenging priestly traditions while addressing modern ethical dilemmas seen in the struggles of Man's children. As the story unfolds, Chan skillfully balances humor with poignant moments, focusing on familial relationships and the universal quest for acceptance and love amid mortality's stark reality. 

"The Last Dance" oscillates between despair and hope, reminding viewers that life's end can signify new beginnings. Celebrated for its nuanced handling of depicting struggles related to gender roles, filial expectations and ritual dignity, "The Last Dance" emerges as a poignant reflection on life and death, leading to it becoming the highest-grossing film in Hong Kong, with more than HK$150 million. It has become a cultural phenomenon, praised for its sensitive storytelling and critical insight into the human spirit.